Screening the Forest

Curated by Dr. Graiwoot Chulphongsathorn, this series takes nature as its point of departure. Screening the Forest weaves together forests from Japan, Myanmar, South Korea, Taiwan, Thailand, Vietnam and the Philippines, understanding the forest to be a network of living beings where agency distributes beyond human forms of life. Sensory, colourful and widescreen, the forest is naturally cinematic.

Screening the Forest is supported by the British Academy’s Visiting Fellowships Programme under the UK Government's Rutherford Fund, and organised in collaboration with the Centre for Research and Education in Arts and Media (CREAM), University of Westminster.

Short Films 20th Sep · 11:30 (110 mins)

Forest Experimenta

In these East Asian and Southeast Asian films, the forest is not a background but a recurring protagonist. Films by Pimpaka Towira, Jet Leyco, Su Hui-Yu, Nguyen Trinh Thi, Tony Chun-Hui Wu, Jang Min-Young, Jakrawal Nilthamrong and Kamjorn Sankwan.Q&A with curator Dr. Graiwoot Chulphongsathorn

Feature film 21st Sep · 19:15 (122 mins)


Reha Erdem

An existential thriller with touches of magic realism, Jîn follows 17-year-old Jîn, a Red Riding Hood with a fierce survival instinct. She is a freedom fighter who flees her armed organisation for reasons unknown. Jîn finds herself battling bravely through dark forests, spending solitary days in the mountains, and ultimately heading towards a city where her future is still unclear. Symbolising the complex and heated conflict between military forces and Kurdish guerrillas, the film contemplates the effect this military conflict has on the forest and mountains, including their inhabitants: animals, trees and the ecosystem enfolding them all, which doesn’t have the ability to fight back.

Introduced by Dr Graiwoot Chulphongsathorn

This special screening of Jîn is kindly supported by Berwick Film Society

Feature film 22nd Sep · 16:30 (95 mins)

Blood Amber

Lee Yong Chao

Somewhere in Burma, a forest rich in amber is controlled by the Kachin Independence Army. For most of the inhabitants, amber mining is their only means of subsistence. Working in harsh conditions under constant threat from the government army, these forest villagers live in fear and despair, with a future as dark as the end of the mining tunnel. Blood Amber is a richly cinematic documentary experience.

Feature film 23rd Sep · 15:45 (92 mins)


Naomi Kawase

Naomi Kawase is amongst the most renowned of contemporary Japanese filmmakers and Genpin is a sensually shot documentary revelation. In the heart of a dense Okazaki city forest, we follow Dr. Tadashi Yoshimura, midwives and expectant mothers during four seasons at a natural childbirth clinic. Employing centuries old practices that often run askew from contemporary medicine, Kawase’s tender film oscillates between the intimate moments of joy, pain and doubt in honouring this way of life.

The title Genpin recalls the words of the Chinese philosopher Lao Tzu: ‘The valley spirit never dies / It is named the mysterious woman (genpin).’ In the film, Yoshimura reflects on the relationship between childbirth and death, and observes—more as a human being than a doctor—that to deny death is to deny life. Life born into this world, life that ends at the moment of birth, life that ends before birth. Lives do not cease as a solitary life but are carried on by the species, and continue. Through the flux of the Japanese seasons, Naomi Kawase entered the circle of the women giving birth at the Yoshimura Clinic and the world of Dr. Yoshimura—who has spent 40 years on the path of natural childbirth—and wove the footage she shot with her own 16mm camera into this film.

Feature film 23rd Sep · 17:45 (43 mins)

Worldly Desires

Apichatpong Weerasethakul

A couple escape from their families and flee deep into the jungle. At nightfall, a song illustrates the innocence of their love and their search for happiness. Palme d'Or winning filmmaker Apitchatpong Weerasethakul invited fellow Thai filmmaker Pimpaka Towira to shoot a 35mm film in the forest while he observed the production though his digital camera. While Worldly Desires is dedicated to Weerasethakul's memories of filmmaking in the jungle from 2001–05, it is also a story of forbidden love and desire, loaded with poetry, metaphor and mystery.